From the Studio

thoughts on art and process in action from a contemporary artist

Posts Tagged ‘computers

Bearing Witness: Surveillance in the Drone Age is Opening Tomorrow!

leave a comment »

text on podiumsm

Link to San Francisco International Arts Festival information

Link to Bearing Witness as part of San Francisco International Arts Festival

Calender for Bearing Witness: Surveillance In The Drone Age
May 21 – Jun 7, 2015 Fort Mason Center, SF
The San Francisco International Arts Festival and curators Hanna Regev and Matt McKinley present:Bearing Witness: Surveillance In The Drone Age

May 21 – Jun 7, 2015 Fort Mason Center SF, Ca

Curator’s Tour 1 – May 23 1 – 2:30pm

Convene in the Fleet Room at 1pm for viewing and discussion of works in this location before heading to the Herbst Pavilion and Cowell Theater Atrium where the tour concludes with a performance of Latifa Medjdoub’s ‘Conversations With The Root’ in the Cowell Theater Lobby at 2pm; free event

Curator’s Tour 2 – May 30 Noon – 1:30pm

Convene in the Fleet Room at 12pm for a special performance of Kinetech’s ‘Mirror #1, Time Bubble’ followed by a viewing and discussion of works in this location before heading to the Cowell Theater Lobby and Atrium. The tour concludes at 1pm with an encore performance of Igor Josifov’s ‘Wit-ness’ performance in the Herbst Pavilion; free even

Show Description:

“Bearing Witness: Surveillance in the Drone Age” is a comprehensive look at the wide reach and capabilities of technologies that trap us under a complex umbrella of surveillance technologies consisting of drones, phones and ubiquitous cameras and tether us together in unprecedented ways thanks to social media and the Internet at large. This exhibit is an opportunity to engage in conversation about the potential benefits of surveillance technology as well as the threats posed to fundamental rights of personal freedom and privacy.

The idea that as individuals we watch and, in turn, are watched on a local to a global scale within groups we self-select and by ‘eyes’ we will never see is the greatest source of angst within our current milieu of evolution toward a globally wired community. The prevalence of digital surveillance combined with ‘analog’ surveillance makes personal privacy a diminishing and prized commodity. The by-products of digital surveillance (pictures and video) immortalize both personal and public events and this documentation is readily accessible thanks to cheap memory and social pressure to network and share digitally. Easy access to information capturing devices and storage allows for unprecedented documentation of all types of data, innocuous to important, in massive quantity, which not only leaves behind the greatest footprint of a single generation’s existence, ever, but poses real threats to our identities, rights to privacy, and unique ways of experiencing life.

This exhibit features work by:
Shay Arick, Alex Benedict (1030 Art Group), Tana Lehr (1030 Art Group), Yoni Mayeri (1030 Art Group), Teddy Milder (1030 Art Group), Jane Norling (1030 Art Group), Lanny Weingrod (1030 Art Group), Anna Kaminska (1030 Art Group) and Michel Bohbot, Matthew Silverberg (1030 Art Group), Lark Buckingham, artPaul Cartier, Irene Carvajal & Alex Shepard, Justin Hoover & Rachel Znerold, Phillip Hua, Philippe Jestin, Igor Josifov, Ali Kaaf, Pantea Karimi, Jonathon Keats, Scott Kildall, Mary March & Christopher Saari, Kara Maria, Latifa Medjdoub, Wes Modes (Co-related Space), Lanier Sammons (Co-related Space), Brent Townshend (Co-related Space), Daniel Newman, Maya Smira, Melissa West, Weidong Yang (Kinetech), Daiana Lopes da Silva (Kinetech), Lisa Blatt, Tayeb Al Hafez, Antoine Kem, Trevor Paglen

Featured Events:

Panel Discussion: The Edward Snowden Revelations and the Public Right To Know – May 30 1:30 – 3pm

The Electronic Frontier Foundation (EFF) and artists Phillip Hua and 1030 Art Group members in conversation with curators Hanna Regev and Matt McKinley; free event
About the Festival:

The San Francisco International Arts Festival (www.sfiaf.org) celebrates the arts by bringing together a global community of artists and audiences. The organization presents innovative projects that are focused on increasing human awareness and understanding. SFIAF’s curatorial priorities include developing collaborative projects led by Bay Area artists working with their national and international peers and presenting world-class international artists who often do not have US representation and whose work is rarely (or never previously) seen in the United States.

Advertisements

Artists Discussion Panel- Endangered Languages in the Information Age next Thursday

leave a comment »

Tomorrow night is the opening reception for Living With Endangered Languages in the Information Age! We are also having a panel discussion centering around the role of technology in Languages and Art on the 15th.  Please join us!

EndangeredLanguagePanel

Living with Endangered Languages in the Information Age (curated by Hanna Regev)
2nd Sat Reception: Saturday, January 10, 2015 – 6:00pm to 9:00pm
Exhibition Dates: Jan 7, 2015 to Jan 31, 2015
3rd Thursday Artist Panel Discussion: Thursday, January 15, 2015 – 5:00pm to 8:00pm
Including CREATIVE STATION, free all-ages art activities in our Classroom.

More on the show here: https://www.rootdivision.org/exhibition-rd-gallery/living-endangered-languages-information-age

Targeted ads as Portraits

leave a comment »

ad portraitContinuing in the thread of the digitally-mediated person (Binary Portraits, the Write me for Art Project, etc.) this idea came to me the other day.  I think a series is in order, but it requires the person I’m doing the portrait of to let me take all the ads from their computer that I find as they do their regular day’s navigation online

Advertizing companies get a ton of information about us as we browse (Google) or buy (Amazon).  They know what we look at and what we click on, what we are interested in, what movies and shows we watch and what we take home.  They know if you watch porn, or give money to charity.  It’s all there and they give us ads and “suggestions” based on that activity.  The line between “suggestions” and targeted ads is so blurry I think it’s really not there.

Topher ad Portrait2So… all this leaves a kind of portrait behind in the ads we get.  When I sign into my art-only Facebook I get ads for “mature and intelligent men” because it thinks I’m single because I can’t list my husband as my husband because he’s already married to my personal Facebook identity.  I assume I get diet stuff because I’m female (since I never diet), but it may be because I’ve ordered “large” in tights (I’m tall with long legs and not super skinny).  I didn’t find any the day I was doing this, but sometimes my husband gets ads targeted at gay men, usually when he’s been looking at a lot of interior design sites.  Who knows what all of this is based on?  Every click goes into the calculations.

Here you have us both as seen by the advertising computers.  This is what they think we are and want.

Written by marycoreymarch

February 3, 2014 at 5:57 am

Posted in art, digital, drawing, societal, tech

Tagged with ,