From the Studio

thoughts on art and process in action from a contemporary artist

Archive for the ‘weaving’ Category

“I am. And You?” (Transparency and Primary Text)

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The space and the work were so wonderful together.  I feel so fortunate to have been able to create this new installation for this space.  “I am. And you?” was also a perfect theme for my work generally, so it was a good fit all around.  They have asked if I would keep up the new work “Transparency” for the next show as well (centered around building community and communication), so there will be more chances for the general public (aside from hundreds of theater-goes) to see it.

I always love seeing people interact with my work and discovering what happens when the work comes together with a space and a unique group of people.

Written by Mary Corey March

July 8, 2014 at 11:18 am

Installing for “I am. And you?

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IMG_5621Did I mention the space is absolutely amazing?  When I saw that piece of set (a huge factory wall which can be back-lit through the windows), the height of the ceilings, the space generally I knew I had to do a piece in that space.

So over the last couple days we put up Primary Text and my new work Transparency, created especially for the space and the “I am.  And you?” show at Zspace.  Primary Text is hung in this image (left), but not yet anchored.  I’m excited to see that one in action Participation-wise.

Yesterday I finished creating a warp for Transparency (the up and down part of a weaving on the loom) over 15 feet long.  It’s right in front of the windows, and the material you will be weaving into it is the colored gels theaters use over lights.  You can just see the 3 cables I used to hang it.

Each person will answer a question and write it on the gels and weave it into the warp.  They can also respond to someone else’s answer as if that person asked “and you?”. The physical result should be a kid of stained-glass window lit from behind.

I’ve been thinking a lot about ideas and experiences of introversion and extroversion, backstage/onstage/audience, the parts of ourselves we show differently in different company.  Filtered selves, not fake, but you don’t let the same parts of yourself through to your coworkers as you do to your lover or your child or vice versa.  One odd discovery is how many theatre performers are actually introverts offstage.  Given the environment of the theatre and the way lights and windows an that set-piece were working I had to explore transparency and filters while using the visual materials of the theatre-space (sand-bags, lighting gels, a “set” of flat black).  I’m excited to see how it all comes out when it’s been interacted with!

Please join us Monday night from 6-10 at ZSpace in San Francisco.

Directions

Written by Mary Corey March

July 4, 2014 at 10:32 pm

Officially installed!

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install shotDone!  There is  more than this in the full installation (such as 40 more hand-embroidered messages), but this should give you an  idea.  Identity Tapestry is ready to go, the table is built, the tablets together and the envelopes hung.  All ready for visitors and participants.

Please join us at the Mint for the show this week! Details here:  http://www.sfai.edu/principal

Principal (SFAI’s MFA thesis exhibition)

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For those of you who joined me for Open Studios it  was wonderful, and an extra thank you to those of you who contributed to the beginning of a new participatory piece.  I hope you can all join me for my thesis show!

PRINCIPAL: MFA Exhibition

Thursday, May 15 Sunday, May 18, 2014
The Old Mint
88 5th Street at Mission
San Francisco, CA,
PUBLIC VIEWING HOURSThursday, May 15–Sunday, May 18
11 am–6 pm

Visitors are invited to meander through clandestine bank vaults and decadent ballrooms to uncover site-specific and multi-dimensional displays of work.

PUBLIC OPENING RECEPTIONFriday, May 16
7–9 pm
A-FP01-First Level[11]Here is your map to my work!  There will be two stories full of incredible art.  I will be showing Write Me for Art (for those of you who have been following that piece) and a new iteration of Identity Tapestry.  If you are in the Bay Area and have wanted to try that piece out, now is  your  chance!
Write me for Art has become two integrated pieces which I will install together.  It came from the many people who sent me replies in the mail to personal questions, all of which I have embroidered and included.March_Mary_01

Spring Shows and Events!

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     April 19th:         Open Studios 12-5PM   2565 Third Street (between 22nd and 23rd), SF, CA
                                   
May 2-4th:             Print Show at Mullowney Printing   933 Treat Street, SF, CA 94110

                                    * Opening on Friday the 2nd.

     May 14th-18th:      PRINCIPAL:  SFAI’s Graduate Thesis Exhibition


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SFAI Graduate Open Studios: http://www.sfai.edu/openstudios

This is your chance to get a peek into the process.

Navigational Tip:   There is an entrance at 22nd street.  Go to the second floor.  Every Orange door on the floor is an SFAI facility. 

I am in Bay C (just to the right of the lounge) in a lovely corner spot in #7 in the back right. 

I will send out more information on the second two events as they approach.  I hope to see you at the Open Studios!  I will have an interactive piece running in the studio as well as a Participatory piece you can contribute to.

Whirlwind of Art NYC: Grid/Weave/Tangle

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Last week I flew out to NYC for some Art saturation.  Museums, Galleries, the Whitney Biennial, a show, studio visits… it was wonderful.  There will be a post about all that, but I thought I’d share the work that really connected to my current exploration of weave and grid and tangle.

I happened to see Jasper John’s “Regrets” series at MOMA and noticed a lot of fabric and weave in his prints!  It was interesting to me that though I knew him as a painter since high school, I’d never really seen any of his print work (one of those some-media-privileged-over-others things?).  He also directly incorporated cloth and weave into his in 0-9 series on display there. Last week I was just working out how I would incorporate the weave into my first copper plate and here was a famous artist doing just that.  Serendipitously later that day I saw another Jasper Johns piece at Matthew Marks Gallery in Chelsea related to the 0-9 prints at MOMA which was done as a bronze sculpture … again with the weave.

The following slide show is made up of the work around NYC, old and new that fed  into the shapes and thoughts around grid/weave/tangle that I’ve been exploring.

 

Written by Mary Corey March

March 29, 2014 at 1:00 am

winding

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winding process

Progress on Identity Tapestry #8 (a participatory art installation).

It’s not just dyeing hundreds of individual colors (right pile).  It’s carefully tying every one to a stone and inconspicuously securing it with fabric glue (what is laid out on one chair and draped over the other).  It is taking all those attached stones and spending hours (hopefully with friends) winding them around each stone.

The next part involves threading them through the basket-form and securing them.

Yes, this is a labor-intensive piece, but it’s worth it.

I fly off on the 13th to install Iteration #8 of Identity Tapestry at Southern Vermont College.  The first permanent installation of the series.

Written by Mary Corey March

August 26, 2013 at 11:43 pm