From the Studio

thoughts on art and process in action from a contemporary artist

Archive for the ‘shows’ Category

Principal (SFAI’s MFA thesis exhibition)

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For those of you who joined me for Open Studios it  was wonderful, and an extra thank you to those of you who contributed to the beginning of a new participatory piece.  I hope you can all join me for my thesis show!

PRINCIPAL: MFA Exhibition

Thursday, May 15 Sunday, May 18, 2014
The Old Mint
88 5th Street at Mission
San Francisco, CA,
PUBLIC VIEWING HOURSThursday, May 15–Sunday, May 18
11 am–6 pm

Visitors are invited to meander through clandestine bank vaults and decadent ballrooms to uncover site-specific and multi-dimensional displays of work.

PUBLIC OPENING RECEPTIONFriday, May 16
7–9 pm
A-FP01-First Level[11]Here is your map to my work!  There will be two stories full of incredible art.  I will be showing Write Me for Art (for those of you who have been following that piece) and a new iteration of Identity Tapestry.  If you are in the Bay Area and have wanted to try that piece out, now is  your  chance!
Write me for Art has become two integrated pieces which I will install together.  It came from the many people who sent me replies in the mail to personal questions, all of which I have embroidered and included.March_Mary_01

Because I can, and Open Studios

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Setting up a test version of “Write Me For Art”. Really, this was the perfect height for setting up on stilts, which is way easier and faster. Sadly I’ll be hanging much higher at the Mint in a few weeks.

Tomorrow I’ll be at Open Studios at SFAI’s graduate center.

There will be the usual nibbles and drinks, but in my case there will be an interactive sound piece “Pulse”, created from the stories of San Franciscans.  What story will your pulse tell?

Also I will be working on a new Participatory piece, so if you choose you can become a part of it!

Graduate Open Studios
Saturday, April 19, 2014 – 12:00pm5:00pm
Third Street Graduate Center
2565 Third Street (between 22nd and 23rd)
San Francisco, CA
We are on the second floor.  Every Orange door is SFAI.  I’m in C7 (C -bay is just right of the lounge, 7 is the back right-hand studio). I find it easiest to take the entrance on 22nd St.
I hope to see you there!
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If you want to see the finished “Write me for Art” you’ll just have to come to the show next month at the Mint.

Written by Mary Corey March

April 19, 2014 at 11:12 am

Spring Shows and Events!

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     April 19th:         Open Studios 12-5PM   2565 Third Street (between 22nd and 23rd), SF, CA
                                   
May 2-4th:             Print Show at Mullowney Printing   933 Treat Street, SF, CA 94110

                                    * Opening on Friday the 2nd.

     May 14th-18th:      PRINCIPAL:  SFAI’s Graduate Thesis Exhibition


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SFAI Graduate Open Studios: http://www.sfai.edu/openstudios

This is your chance to get a peek into the process.

Navigational Tip:   There is an entrance at 22nd street.  Go to the second floor.  Every Orange door on the floor is an SFAI facility. 

I am in Bay C (just to the right of the lounge) in a lovely corner spot in #7 in the back right. 

I will send out more information on the second two events as they approach.  I hope to see you at the Open Studios!  I will have an interactive piece running in the studio as well as a Participatory piece you can contribute to.

Whirlwind of Art NYC: Grid/Weave/Tangle

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Last week I flew out to NYC for some Art saturation.  Museums, Galleries, the Whitney Biennial, a show, studio visits… it was wonderful.  There will be a post about all that, but I thought I’d share the work that really connected to my current exploration of weave and grid and tangle.

I happened to see Jasper John’s “Regrets” series at MOMA and noticed a lot of fabric and weave in his prints!  It was interesting to me that though I knew him as a painter since high school, I’d never really seen any of his print work (one of those some-media-privileged-over-others things?).  He also directly incorporated cloth and weave into his in 0-9 series on display there. Last week I was just working out how I would incorporate the weave into my first copper plate and here was a famous artist doing just that.  Serendipitously later that day I saw another Jasper Johns piece at Matthew Marks Gallery in Chelsea related to the 0-9 prints at MOMA which was done as a bronze sculpture … again with the weave.

The following slide show is made up of the work around NYC, old and new that fed  into the shapes and thoughts around grid/weave/tangle that I’ve been exploring.

 

Written by Mary Corey March

March 29, 2014 at 1:00 am

Graced with Light (fiber installation by Anne Patterson)

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Anne Patterson

I love this piece. Religious architecture has always fascinated me. Each structure is approaching the idea of “what is our relationship to the divine/greater universe?  Cathedrals tend to tell us that we are tiny in a huge majestic, beautiful world (which is really true in a way).  They also have a hierarchy built into them (distance from altar, height, etc.).  A Quaker meeting house  will reflect the relationship between people and the beauty in simplicity and the small scale of the day-to-day.  They tend to have equality built into them- central arrangement, all on same level or very close, etc.

**A pause for reference, I have a BA in the History of Religions, so I use religious terms the members of each religion themselves use in a sociological/historical way, not as a member of that religion.**

As a space to do art in- to add a layer to these kinds of structures in fantastic.  Ann Paterson’s piece works amazingly with both the space and the community.  The colors of the ribbons mimic the colors in the stained glass windows and the filtered light through them.  The shape suggests both rain and rays of light- a shower from heaven in this case.  The red ribbons have prayers written on them from members of the congregation and community.  A congregation member explained them to me as visualized prayers going upwards from them to heaven.

If you told me I had blacked out for a year and this piece was mine I would totally believe you (if you convinced me they didn’t mind me not sharing their faith).  It has some overlap with Dream blanket (where participants are writing their dreams/hopes on stripes of wool fabric).  I love this piece.

IMG_4290I came in the late afternoon, when the light was fading and coming sideways into the space, staining the pillars with colored light, making the ribbons seem even more like rain as they broke up within that light.  Exquisite.

I reminded me of the Rain Room project, except that instead of the rain falling around you and failing to hit, it was suspended above you.

It makes me want to hang even more things from the ceiling, and to incorporate more hanging fiber into the embroidery project for my thesis piece.

Written by Mary Corey March

January 25, 2014 at 1:47 am

Pulse Project

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pulse

If you are wondering what you are looking at, it is my newest Interactive and Participatory piece and my first proper sound installation as shown at The LAB, SAn Francisco in the recent show Cubic (Sounds)2.

Visitors are invited to place a finger on the pulse sensor to have their pulse taken. This triggers the audio aspect of the piece: a story of a San Francisco Moment recorded from someone in San Francisco whose pulse matches theirs. The sound of the story is played by a the flask of Bay salt water using a vibrating piezo plate to convert it into a speaker.  The grey material is cotton cloth sculpted in a rough impression of San Francisco topography with a few major streets embroidered in red.

In the end the project worked and was well received.  I’m sorry to say that during most of the opening it was almost impossible to hear though.  Even when I made an exception for the opening and added a conventional speaker under the table to compete with the sound from the other sound installations in the echoing space it was too quiet once the room was full of talking people.  Still, for the rest of the show and at the beginning and end of the opening you could hear it and it ran beautifully.

This is a piece I would love to re-work and do again in a quieter space.  In a quiet space the flask of water speaks to you quietly, but audibly- intimately.

 

 

Written by Mary Corey March

December 8, 2013 at 10:31 am

Pulse Project

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I’m finishing up my sound installation.  componantsI can already see a richer, deeper version of this piece.

The base of this one was a very elegant instant hack.  I got one of my daughter’s clear play dough (not the brand, but the thing) containers where the dough had dried out utterly and cleaned it out and did some strategic trimming.  Perfect!  it looks like it was made for a base.  I was able to use some of the vellum from my other project as a diffuser for the base as well (which will also disguise the wires).  So fast, so perfectly neat.IMG_3778

The audio files are all converted and ready.  The pulse meter has been a bit on the evil side and we’re replacing it with a new one which should arrive today.  The air does not have a pulse of 220.

On the whole, so far so good.The show is open to the public Wednesday at the Lab with the actual opening on Thursday evening.

Written by Mary Corey March

December 4, 2013 at 12:19 am

Collecting Stories

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An interesting venture indeed.  So I’m determined to not just ask friends (easy), but it was clear early on that this was a much more difficult kind of participation than I’ve ever asked from people before.

I’ve been going around the city on my normal rounds- the yarn store, the playground with my daughter, the cafes, the hardware store, art supply store, etc. and collecting stories about “an SF moment” from people in and around those places for the sound piece City Pulse (San Francisco) going up in the LAB.  Thepiece involves collecting little San Francisco Moment stories from people in the city. I then take their pulse and

I left the story collection towards the end because I was more worried about the technical and sculptural aspects of the piece and I thought the participatory part would be easier.  No.

tools tools fabricThe microphone looked like a taser to some people- very threatening.  The pulse meter seems to be equally threatening- medical devices are just scary.  This is a huge barrier if handled badly.  I almost wan to crochet them little wooly jumpers to make them more approachable.  Something about fabric instantly tools fabricdisarms and comforts cold technical devices.  I started carrying both these and my extra batteries in a little transparent cloth bag and that actually seemed to help (transparent process, softer, easier to get to quickly, etc.).

In “Write Me for Art” it’s so approachable, so soft.  I generally give them to people after they’ve seen me embroidering for a few minutes.  Then I can explain the project to someone clearly interested already.  This one is so much less visual at this stage that it’s harder to get people to engage.  Getting participation becomes and art form in itself.

It’s funny, so far the stories seem to circle around the Haight, the Castro, and random naked men (even when I’m taking the stories in other places).  There is something about the Castro and the Haight that say SF more than anywhere else.

I’m excited about getting the piece all together and seeing it up and running.  This is so different from other work I’ve done in terms of materials, but very close to the heart of my work generally.

…and for tonight, more embroidering a landscape of San Francisco!

And for tonight… more

Written by Mary Corey March

November 30, 2013 at 8:23 am

Cubic (sound)2 Opening Dec 5th

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cubic(sound)_Invitation  I have my first sound piece in this show.  Storytelling in SF.  Come see… and listen.

There will be five performances, including one by Laetitia Sonami.

I will have an interactive piece in the show built on participation.

At the LAB.

Written by Mary Corey March

November 27, 2013 at 9:00 am

Write me for Art, floating…

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french letters Life in the studio goes well!  I had hit a bit of a slump, but getting these actually in the air the other day to see what they felt like was a great step.  Once I work out some technical kinks (heavier paper, attachment methods, different adhesive to hold together the envelopes…) it will just be a matter of doing it.  The embroidery continues and I will continue collecting responses for “Write me for Art” until the the new year.

All is going well for this project and I have decided that it will be my MFA thesis show piece at the Vernasage show this coming May.

Speaking of shows, I will be in a sound art show at the Lab during the first week of December, opening is on Thursday the 5th.  I haven’t shown you this piece in progress yet, but perhaps you’ll get a peek soon.

 

Written by Mary Corey March

November 23, 2013 at 5:12 am