in-process on “Between the Lines (Experience Exchange)”

These are the first set of “pages” for participants in Between the Lines (Experience Exchange) to write on.  The materials are translucent acrylics on vellum with bookbinding thread sewn into the tops to tie them into the structure.

The piece was commissioned by the College of the Redwoods for their annual Book of the Year celebration.  This year’s book is Between the World and Me by Ta-Nehisi Coates.

The structure of the piece is a large sculpture created a s a physical framing of some of the book’s core concepts  (I saw them, but also based  on interviews with the author, reviews, and discussions with other people).  The questions also derive from the book, and will ask participants to respond with their own related experiences.

 

Hidden Processes

My sketches are always like this- rough, scribbly, and somehow they work the best for me- loose enough for me to imagine different details.  But until the other  even the loosest sketch of the physical part of my Endangered Languages piece weren’t jelling enough for any sketch to make me happy.

I had been hitting a major wall with the work and it was keeping me up at night for weeks as I tossed image after image and idea after idea in my head.  Two days ago I had a great conversation with a friend that helped me break through.  He has helped me document my work in video and photography but more importantly he is always  a great person to brainstorm with (there are two pieces we’ve thought out together that I think need to be made as collaborative works).

The thing is the process is so often in the mind.  I visualize and discard so much before I start making these days.  Now without having physically built anything, I suddenly have a pretty clear picture of the finished piece.  Now that it’s there I can sketch and mock up and I can start building like a maniac.  I’m going to build a mock-up for size and relationship to the body before I build the main object.  I want to get the height and tilt angle that way.  It should recall natural history museum displays… but with some unexpected twists in action.

Another thing hidden (besides things in my brain) is the thoughts and concepts behind the work.  You will notice I don’t tend to explain my concepts here.  I have them, usually intensely thought out (what some people would consider over-thought out), but I want the concept to be experienced and seen and heard, not just explained before people see the actual work.  I want them to walk up and discover it, not come in with a thesis on it.  There is also a sort of delicacy in certain stages of creation, where if you explain too much (especially to the wrong people at the wrong time) it leeches the life out of it in your mind, or it kills your drive to make it.

At the same time, I love revealing the physical process.  I like to show the beauty and madness of the actual objects-in-progress and the physical experience of making the thing rather than explain everything up front.

You’ll notice the Academy of Sciences sticker in my sketchbook.  I went with my daughter after school to get a look at the display cases, both old and new.  When I go into a museums or place with the intent to take notes I always put the ticket or sticker or write the place at the top.  Sometimes the page is otherwise blank.

 

Installing for “I am. And you?

Did I mention the space is absolutely amazing?  When I saw that piece of set (a huge factory wall which can be back-lit through the windows), the height of the ceilings, the space generally I knew I had to do a piece in that space.

So over the last couple days we put up Primary Text and my new work Transparency, created especially for the space and the “I am.  And you?” show at Zspace.  Primary Text is hung in this image (left), but not yet anchored.  I’m excited to see that one in action Participation-wise.

Yesterday I finished creating a warp for Transparency (the up and down part of a weaving on the loom) over 15 feet long.  It’s right in front of the windows, and the material you will be weaving into it is the colored gels theaters use over lights.  You can just see the 3 cables I used to hang it.

Each person will answer a question and write it on the gels and weave it into the warp.  They can also respond to someone else’s answer as if that person asked “and you?”. The physical result should be a kid of stained-glass window lit from behind.

I’ve been thinking a lot about ideas and experiences of introversion and extroversion, backstage/onstage/audience, the parts of ourselves we show differently in different company.  Filtered selves, not fake, but you don’t let the same parts of yourself through to your coworkers as you do to your lover or your child or vice versa.  One odd discovery is how many theatre performers are actually introverts offstage.  Given the environment of the theatre and the way lights and windows an that set-piece were working I had to explore transparency and filters while using the visual materials of the theatre-space (sand-bags, lighting gels, a “set” of flat black).  I’m excited to see how it all comes out when it’s been interacted with!

Please join us Monday night from 6-10 at ZSpace in San Francisco.

Directions

Write Me for Art, installation at the Old Mint

Write Me for Art/Do you read me? (Disintermediation)

Write Me for Art/ Do you read me? (digital mediation)

Write Me for Art/ Do you read me? (digital mediation)

The envelope piece is…

Write Me for Art/Do you read me? (Disintermediation)

Mixed Media Participatory Installation: hand embroidery on cloth.

To create this piece I gave people (mostly strangers) around the country self-addressed stamped envelopes with personal questions inside and a description of the project, usually after a good conversation.

They were invited to write a short response in their own handwriting and send it back to me to become part of the project (also available to those following the artist online). The artist then hand embroidered every reply received by Jan 1, 2014, matching the color and handwriting as faithfully as possible.

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The tablet piece on the table is…

Write Me for Art/ Do you read me? (digital mediation)

Mixed Media Participatory Installation: machine embroidery, print on fabric, acrylic, weights.

This piece includes text from the companion piece Write Me for Art/Do you read me? (Disintermediation), but also text taken by the artist from online social media.

*For those of you who are unable to handle these, if you did you would notice that the ones that are machine-embroidered were heavy (about the weight of a phone or tablet, a little heavier).  Those objects corresponded to the text from the first piece (Disintermediation).  The others were printed rather than embroidered, were light and the text was taken from online social media.

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The piece in the background is Iteration #9 of Identity Tapestry.

Gala Night

The Gala fundraiser opening for SFAI’s graduate thesis show. 

This photo is right when things were closing down.  I liked the stillness and being  able to clearly see all three pieces without the crowd.  It was a really great night.  I love  seeing people interact with the work!

My work for this show included Identity Tapestry (iteration#9),  Write Me for Art/Do you read me? (Disintermediation), and Write Me for Art/ Do you read me? (digital mediation)

I poked my head out a little, but I haven’t seen the whole show yet.  I’m looking forward to a quiet viewing tomorrow.

only red and blue yarn there so far

also still empty

still empty at the end of the night

me in front of my work in the dress I designed.

I’m loving the way people have left stones on the shelf, the way it drapes

Mary Ma’s installation

Patricia Singer’s installation

Heather Jones’ work- I love the way this works with the wall and the space!

art cake!

another art cake!

Officially installed!

Done!  There is  more than this in the full installation (such as 40 more hand-embroidered messages), but this should give you an  idea.  Identity Tapestry is ready to go, the table is built, the tablets together and the envelopes hung.  All ready for visitors and participants.

Please join us at the Mint for the show this week! Details here:  http://www.sfai.edu/principal

Principal (SFAI’s MFA thesis exhibition)

 

For those of you who joined me for Open Studios it  was wonderful, and an extra thank you to those of you who contributed to the beginning of a new participatory piece.  I hope you can all join me for my thesis show!

PRINCIPAL: MFA Exhibition

Thursday, May 15 – Sunday, May 18, 2014

The Old Mint

88 5th Street at Mission

San Francisco, CA,

PUBLIC VIEWING HOURSThursday, May 15–Sunday, May 18 11 am–6 pm Visitors are invited to meander through clandestine bank vaults and decadent ballrooms to uncover site-specific and multi-dimensional displays of work.

PUBLIC OPENING RECEPTIONFriday, May 16 7–9 pm

Here is your map to my work!  There will be two stories full of incredible art.  I will be showing Write Me for Art (for those of you who have been following that piece) and a new iteration of Identity Tapestry.  If you are in the Bay Area and have wanted to try that piece out, now is  your  chance!

Write me for Art has become two integrated pieces which I will install together.  It came from the many people who sent me replies in the mail to personal questions, all of which I have embroidered and included.