From the Studio

thoughts on art and process in action from a contemporary artist

Archive for the ‘digital’ Category

Artists Discussion Panel- Endangered Languages in the Information Age next Thursday

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Tomorrow night is the opening reception for Living With Endangered Languages in the Information Age! We are also having a panel discussion centering around the role of technology in Languages and Art on the 15th.  Please join us!

EndangeredLanguagePanel

Living with Endangered Languages in the Information Age (curated by Hanna Regev)
2nd Sat Reception: Saturday, January 10, 2015 – 6:00pm to 9:00pm
Exhibition Dates: Jan 7, 2015 to Jan 31, 2015
3rd Thursday Artist Panel Discussion: Thursday, January 15, 2015 – 5:00pm to 8:00pm
Including CREATIVE STATION, free all-ages art activities in our Classroom.

More on the show here: https://www.rootdivision.org/exhibition-rd-gallery/living-endangered-languages-information-age

Write Me for Art, installation at the Old Mint

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The envelope piece is…

Write Me for Art/Do you read me? (Disintermediation)

Mixed Media Participatory Installation: hand embroidery on cloth.

To create this piece I gave people (mostly strangers) around the country self-addressed stamped envelopes with personal questions inside and a description of the project, usually after a good conversation.

They were invited to write a short response in their own handwriting and send it back to me to become part of the project (also available to those following the artist online). The artist then hand embroidered every reply received by Jan 1, 2014, matching the color and handwriting as faithfully as possible.

The tablet piece on the table is…

Write Me for Art/ Do you read me? (digital mediation)

Mixed Media Participatory Installation: machine embroidery, print on fabric, acrylic, weights.

This piece includes text from the companion piece Write Me for Art/Do you read me? (Disintermediation), but also text taken by the artist from online social media.

*For those of you who are unable to handle these, if you did you would notice that the ones that are machine-embroidered were heavy (about the weight of a phone or tablet, a little heavier).  Those objects corresponded to the text from the first piece (Disintermediation).  The others were printed rather than embroidered, were light and the text was taken from online social media.

The piece in the background is Iteration #9 of Identity Tapestry.

Gala Night

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The Gala fundraiser opening for SFAI’s graduate thesis show. 

last participantThis photo is right when things were closing down.  I liked the stillness and being  able to clearly see all three pieces without the crowd.  It was a really great night.  I love  seeing people interact with the work!

My work for this show included Identity Tapestry (iteration#9)Write Me for Art/Do you read me? (Disintermediation), and Write Me for Art/ Do you read me? (digital mediation)

I poked my head out a little, but I haven’t seen the whole show yet.  I’m looking forward to a quiet viewing tomorrow.

Officially installed!

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install shotDone!  There is  more than this in the full installation (such as 40 more hand-embroidered messages), but this should give you an  idea.  Identity Tapestry is ready to go, the table is built, the tablets together and the envelopes hung.  All ready for visitors and participants.

Please join us at the Mint for the show this week! Details here:  http://www.sfai.edu/principal

Principal (SFAI’s MFA thesis exhibition)

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For those of you who joined me for Open Studios it  was wonderful, and an extra thank you to those of you who contributed to the beginning of a new participatory piece.  I hope you can all join me for my thesis show!

PRINCIPAL: MFA Exhibition

Thursday, May 15 Sunday, May 18, 2014
The Old Mint
88 5th Street at Mission
San Francisco, CA,
PUBLIC VIEWING HOURSThursday, May 15–Sunday, May 18
11 am–6 pm

Visitors are invited to meander through clandestine bank vaults and decadent ballrooms to uncover site-specific and multi-dimensional displays of work.

PUBLIC OPENING RECEPTIONFriday, May 16
7–9 pm
A-FP01-First Level[11]Here is your map to my work!  There will be two stories full of incredible art.  I will be showing Write Me for Art (for those of you who have been following that piece) and a new iteration of Identity Tapestry.  If you are in the Bay Area and have wanted to try that piece out, now is  your  chance!
Write me for Art has become two integrated pieces which I will install together.  It came from the many people who sent me replies in the mail to personal questions, all of which I have embroidered and included.March_Mary_01

Spring Shows and Events!

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     April 19th:         Open Studios 12-5PM   2565 Third Street (between 22nd and 23rd), SF, CA
                                   
May 2-4th:             Print Show at Mullowney Printing   933 Treat Street, SF, CA 94110

                                    * Opening on Friday the 2nd.

     May 14th-18th:      PRINCIPAL:  SFAI’s Graduate Thesis Exhibition


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SFAI Graduate Open Studios: http://www.sfai.edu/openstudios

This is your chance to get a peek into the process.

Navigational Tip:   There is an entrance at 22nd street.  Go to the second floor.  Every Orange door on the floor is an SFAI facility. 

I am in Bay C (just to the right of the lounge) in a lovely corner spot in #7 in the back right. 

I will send out more information on the second two events as they approach.  I hope to see you at the Open Studios!  I will have an interactive piece running in the studio as well as a Participatory piece you can contribute to.

The Grid and the Weave

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disrupted grid1smIn entering a new media I’ve given myself the focus of concentrating on the abstract forms of the Weave and the Grid in an exploration of the digital and the organic, order and disorder, structure and entropy.  I’m also sticking to plates of a 18″ x 24″ (the size of both the largest acid bath and laser bed.

I’m LOVING this project. It’s very freeing to explore ideas in a purely abstract form.  So far I have 3 laser-cut plates I’m happy with (one etch on acrylic, one grid cut out of acrylic and one block out of MDF).  I’ve also hand-carved a weave in wood.

It’s so refreshing to enter a new media without knowing the “rules” of that medium.  Today I experimented with adding ink in gestural marks onto the plate after the nice clean layer was put on with the roller. Once it goes through once and then gets rollered over again you get this gorgeous ghostly watercolor look (in the dark grey layer here).  I’m also loving adding string resist into the work.

So far I have around 30 individual pieces, many of them still getting layered up.  I’m not doing nearly identical “editions” in the convention of printmaking.  I don’t see the point.  Each of these is absolutely original.  I’ll be painting over some of the ones I’ve printed on canvas, sewing through them… there really aren’t limits to this.

The next plate that will enter this mix will be on copper- layers of cloth texture in soft ground, spit-bite and hand etching a delicate weave.  weave2sm

Written by Mary Corey March

March 15, 2014 at 10:26 am