From the Studio

thoughts on art and process in action from a contemporary artist

Archive for the ‘digital’ Category

Artists Discussion Panel- Endangered Languages in the Information Age next Thursday

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Tomorrow night is the opening reception for Living With Endangered Languages in the Information Age! We are also having a panel discussion centering around the role of technology in Languages and Art on the 15th.  Please join us!

EndangeredLanguagePanel

Living with Endangered Languages in the Information Age (curated by Hanna Regev)
2nd Sat Reception: Saturday, January 10, 2015 – 6:00pm to 9:00pm
Exhibition Dates: Jan 7, 2015 to Jan 31, 2015
3rd Thursday Artist Panel Discussion: Thursday, January 15, 2015 – 5:00pm to 8:00pm
Including CREATIVE STATION, free all-ages art activities in our Classroom.

More on the show here: https://www.rootdivision.org/exhibition-rd-gallery/living-endangered-languages-information-age

Write Me for Art, installation at the Old Mint

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The envelope piece is…

Write Me for Art/Do you read me? (Disintermediation)

Mixed Media Participatory Installation: hand embroidery on cloth.

To create this piece I gave people (mostly strangers) around the country self-addressed stamped envelopes with personal questions inside and a description of the project, usually after a good conversation.

They were invited to write a short response in their own handwriting and send it back to me to become part of the project (also available to those following the artist online). The artist then hand embroidered every reply received by Jan 1, 2014, matching the color and handwriting as faithfully as possible.

The tablet piece on the table is…

Write Me for Art/ Do you read me? (digital mediation)

Mixed Media Participatory Installation: machine embroidery, print on fabric, acrylic, weights.

This piece includes text from the companion piece Write Me for Art/Do you read me? (Disintermediation), but also text taken by the artist from online social media.

*For those of you who are unable to handle these, if you did you would notice that the ones that are machine-embroidered were heavy (about the weight of a phone or tablet, a little heavier).  Those objects corresponded to the text from the first piece (Disintermediation).  The others were printed rather than embroidered, were light and the text was taken from online social media.

The piece in the background is Iteration #9 of Identity Tapestry.

Gala Night

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The Gala fundraiser opening for SFAI’s graduate thesis show. 

last participantThis photo is right when things were closing down.  I liked the stillness and being  able to clearly see all three pieces without the crowd.  It was a really great night.  I love  seeing people interact with the work!

My work for this show included Identity Tapestry (iteration#9)Write Me for Art/Do you read me? (Disintermediation), and Write Me for Art/ Do you read me? (digital mediation)

I poked my head out a little, but I haven’t seen the whole show yet.  I’m looking forward to a quiet viewing tomorrow.

Officially installed!

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install shotDone!  There is  more than this in the full installation (such as 40 more hand-embroidered messages), but this should give you an  idea.  Identity Tapestry is ready to go, the table is built, the tablets together and the envelopes hung.  All ready for visitors and participants.

Please join us at the Mint for the show this week! Details here:  http://www.sfai.edu/principal

Principal (SFAI’s MFA thesis exhibition)

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For those of you who joined me for Open Studios it  was wonderful, and an extra thank you to those of you who contributed to the beginning of a new participatory piece.  I hope you can all join me for my thesis show!

PRINCIPAL: MFA Exhibition

Thursday, May 15 Sunday, May 18, 2014
The Old Mint
88 5th Street at Mission
San Francisco, CA,
PUBLIC VIEWING HOURSThursday, May 15–Sunday, May 18
11 am–6 pm

Visitors are invited to meander through clandestine bank vaults and decadent ballrooms to uncover site-specific and multi-dimensional displays of work.

PUBLIC OPENING RECEPTIONFriday, May 16
7–9 pm
A-FP01-First Level[11]Here is your map to my work!  There will be two stories full of incredible art.  I will be showing Write Me for Art (for those of you who have been following that piece) and a new iteration of Identity Tapestry.  If you are in the Bay Area and have wanted to try that piece out, now is  your  chance!
Write me for Art has become two integrated pieces which I will install together.  It came from the many people who sent me replies in the mail to personal questions, all of which I have embroidered and included.March_Mary_01

Spring Shows and Events!

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     April 19th:         Open Studios 12-5PM   2565 Third Street (between 22nd and 23rd), SF, CA
                                   
May 2-4th:             Print Show at Mullowney Printing   933 Treat Street, SF, CA 94110

                                    * Opening on Friday the 2nd.

     May 14th-18th:      PRINCIPAL:  SFAI’s Graduate Thesis Exhibition


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SFAI Graduate Open Studios: http://www.sfai.edu/openstudios

This is your chance to get a peek into the process.

Navigational Tip:   There is an entrance at 22nd street.  Go to the second floor.  Every Orange door on the floor is an SFAI facility. 

I am in Bay C (just to the right of the lounge) in a lovely corner spot in #7 in the back right. 

I will send out more information on the second two events as they approach.  I hope to see you at the Open Studios!  I will have an interactive piece running in the studio as well as a Participatory piece you can contribute to.

The Grid and the Weave

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disrupted grid1smIn entering a new media I’ve given myself the focus of concentrating on the abstract forms of the Weave and the Grid in an exploration of the digital and the organic, order and disorder, structure and entropy.  I’m also sticking to plates of a 18″ x 24″ (the size of both the largest acid bath and laser bed.

I’m LOVING this project. It’s very freeing to explore ideas in a purely abstract form.  So far I have 3 laser-cut plates I’m happy with (one etch on acrylic, one grid cut out of acrylic and one block out of MDF).  I’ve also hand-carved a weave in wood.

It’s so refreshing to enter a new media without knowing the “rules” of that medium.  Today I experimented with adding ink in gestural marks onto the plate after the nice clean layer was put on with the roller. Once it goes through once and then gets rollered over again you get this gorgeous ghostly watercolor look (in the dark grey layer here).  I’m also loving adding string resist into the work.

So far I have around 30 individual pieces, many of them still getting layered up.  I’m not doing nearly identical “editions” in the convention of printmaking.  I don’t see the point.  Each of these is absolutely original.  I’ll be painting over some of the ones I’ve printed on canvas, sewing through them… there really aren’t limits to this.

The next plate that will enter this mix will be on copper- layers of cloth texture in soft ground, spit-bite and hand etching a delicate weave.  weave2sm

Written by Mary Corey March

March 15, 2014 at 10:26 am

New Love

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IMG_4546I finally tried printmaking and I’m in love.  This semester I have a graduate level class with a master printer and printmaking has me.

I have a lot of mediums under my belt, variously considered art or craft or industry depending on the time period and who you ask and I always want to learn new ones.  For my grad program I decided not to add to that list without good reason.  That said, printmaking makes so much sense to so much of what I am working with that when this class came up in my last semester I had to have it.  It is a technology bridge between handmade and digital.  It is multiplicity with variation,  I can print on fabric.  I can digitally etch or cut a plate at Techshop and then bring it in and print on it, or continue to work it by hand.

I decided to restrict myself to a simple idea- the weave and the grid, the digital/binary and the organic (part of my fascination with weaving is that it is both an ancient craft and the basis for binary computing).  Every plate will be some version of this and I intend to start layering those plates.  Inside that there is so much I can do!  The two plates I have so far are a “Broken Grid” laser-etched (the black and white image here) and a hand-carved woodblock of a loose and dissolving plain-weave. The joyful discovery of today was that after printing on canvas (to paint on/sew through later) I can use the plate again on paper and get the texture of the canvas cloth in the paper print.  I’m loving the layers possible with this.   I also came up with a new idea of how to use sewing in the printing process which I haven’t yet seen.

I’ve got two laser-cutter dates this week and PLANS.

The other thing I love about the printmaking experience?  It’s community based.  Much like a ceramics studio, printmaking takes multiple sets of hands and people pooling resources to have it work.  The atmosphere is relaxed, congenial, supportive, and questioning in a positive way.  It isn’t every artist for themselves, it’s a place where people are helping each other make art.  I really missed that.  It happens in other disciplines through collaborative work, but it’s palpable in both ceramics and printmaking, and getting my hands achy with tools and sticky with ink feels like coming home.

Written by Mary Corey March

February 15, 2014 at 11:22 am

Targeted ads as Portraits

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ad portraitContinuing in the thread of the digitally-mediated person (Binary Portraits, the Write me for Art Project, etc.) this idea came to me the other day.  I think a series is in order, but it requires the person I’m doing the portrait of to let me take all the ads from their computer that I find as they do their regular day’s navigation online

Advertizing companies get a ton of information about us as we browse (Google) or buy (Amazon).  They know what we look at and what we click on, what we are interested in, what movies and shows we watch and what we take home.  They know if you watch porn, or give money to charity.  It’s all there and they give us ads and “suggestions” based on that activity.  The line between “suggestions” and targeted ads is so blurry I think it’s really not there.

Topher ad Portrait2So… all this leaves a kind of portrait behind in the ads we get.  When I sign into my art-only Facebook I get ads for “mature and intelligent men” because it thinks I’m single because I can’t list my husband as my husband because he’s already married to my personal Facebook identity.  I assume I get diet stuff because I’m female (since I never diet), but it may be because I’ve ordered “large” in tights (I’m tall with long legs and not super skinny).  I didn’t find any the day I was doing this, but sometimes my husband gets ads targeted at gay men, usually when he’s been looking at a lot of interior design sites.  Who knows what all of this is based on?  Every click goes into the calculations.

Here you have us both as seen by the advertising computers.  This is what they think we are and want.

Written by Mary Corey March

February 3, 2014 at 5:57 am

Posted in art, digital, drawing, societal, tech

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Pulse Project

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pulse

If you are wondering what you are looking at, it is my newest Interactive and Participatory piece and my first proper sound installation as shown at The LAB, SAn Francisco in the recent show Cubic (Sounds)2.

Visitors are invited to place a finger on the pulse sensor to have their pulse taken. This triggers the audio aspect of the piece: a story of a San Francisco Moment recorded from someone in San Francisco whose pulse matches theirs. The sound of the story is played by a the flask of Bay salt water using a vibrating piezo plate to convert it into a speaker.  The grey material is cotton cloth sculpted in a rough impression of San Francisco topography with a few major streets embroidered in red.

In the end the project worked and was well received.  I’m sorry to say that during most of the opening it was almost impossible to hear though.  Even when I made an exception for the opening and added a conventional speaker under the table to compete with the sound from the other sound installations in the echoing space it was too quiet once the room was full of talking people.  Still, for the rest of the show and at the beginning and end of the opening you could hear it and it ran beautifully.

This is a piece I would love to re-work and do again in a quieter space.  In a quiet space the flask of water speaks to you quietly, but audibly- intimately.

 

 

Written by Mary Corey March

December 8, 2013 at 10:31 am