From the Studio

thoughts on art and process in action from a contemporary artist

Archive for the ‘conceptual’ Category

Installing at MOT (Museum of Contemporary Art, Tokyo)

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The unsung heroes of the art world include museum installation staff. They are often accomplished artists in their own right, and with large projects like these, they are indispensable.  MOT‘s team was fantastic.  We had a few hiccups (one of which was that humidity in Japan caused my print to wrinkle), but they are saving the day and making my work look its best.

I cannot tell you how great it is to have such careful, dedicated, clever folks to entrust my work to.

Throughout everything the exhibition curator Kasumi and another curator,  Uta (who is assisting me with translation and helping me personally) have been amazing in helping me create my vision in their space.  The museum space itself is amazing.  I only wish I’d had more lead time to do even more (especially with all that vertical space!!!)  I can’t wait to see everything after participation!

On a more personal note, one of the many new medications for CFS/ME that I am using is helping tremendously with my energy levels and recovery rates.  This meant I was able to do this install so much more easily and made this trip so much better.

 

 

 

#DadaTaroT @ open studios

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I did a less formal version of the #DadaTaroT piece at this fall’s open studios.  I am really enjoying this piece!  A lot of people asked some pretty intense questions, and many interesting interpretations and conversations arose.

A few odd things keep happening:  out of the (4?) times people have asked about Trump winning the election (the piece was made during the primaries), Elvis has been drawn three times out of the nearly 100 media cards.  What is one to make of that?

Another thing that has happened at least three times is that pairs of friends have picked the same card after the entire deck was shuffled.

Two groups went as three people together instead of a pair.

In this iteration, a questioner asked about the nature of the artist as a child, and the person answering was actually quite right.  Another person made an offhand comment that the questioner would get a tattoo on their hand… which it turned out they already had.  A surprising number of people asking about their own mortality.

Narratives upon narratives.

Apologies… the notes on the  two responses seems to be lost.  I’m working on recovery and will post them when and if I get them.

#DadaTarot: the first readings

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I created this project for a show celebrating the 100th anniversary of Dada.  I made the #DadaTaroT deck out of two sets of images: 21 red wood and laser-etched cardboard symbol cards, and over 200 media image cards on laser-etched cardboard.

 

The method was simple: a pair of people (strangers, lovers, friends…) would be invited by the performers dressed in carnival-esque gear to each ask a question which they could not at that moment know the answer to.  One person would ask (aloud or in silence) and then select one red card and two brown cards.  The partner would then use the cards to attempt to answer the person’s question.  Then they switch.  I documented each one in rough and ready fashion with a photo and hastily hand-written notes.  These are the results.

The Dadaists were coming out of the horror of WWI that left many of their generation feeling that life was meaningless and absurd: Religion, Government, Philosophy and Art seemed to have utterly failed to provide meaning in the context of that horror.  The Dadaists embraced and exposed the absurdity.

I used Tarot because it seemed to be a perfect intersection of the randomness that a lot of dada art has employed through the use of games of chance together with a random assault of media and symbolism wherein we search for meaning.  In the end it is about what each person brings to it and what they _want_ to find, but as in all interactions it’s not just our interpretations, but the interpretations of those around to us, or even close to us that have an effect.  Our negotiation of those interpretations of our world together are what interests me as an artist.  This exchange provided a platform for mini exchanges and negotiations of how we interpret our shared world.

So many interesting things happened during this project, only a few of which are visible in these records- the best of it was within the interaction.  It is very much is about what people bring to it.

Identity Tapestry to show in Switzerland

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vkz_ueber20unsFrom the first iterations of Identity Tapestry I’ve been wanting to create it both in a museum space and in another language.  I’m pleased to announce that this May I’ll be doing both!  Identity Tapestry will be up as part of the upcoming show “Identity” for four months starting this May at the Vögele Cultural Center in Pfäffikon (just outside Zurich).

I will be flying out for the install and I’m incredibly excited.  Any iteration demands a look at which statements to include or leave or if new ones ought to be added, especially in a new area or situation. In this case the language use should be especially interesting because there are essentially two languages at work there: High German and Swiss German.  One is the official language which is used for nearly all text, the other is the language of intimate conversations and the inside of one’s own head.  Apparently it is only recently that the Swiss-German language has appeared in text, and then mostly in text messages, and only to very intimate friends.  How I approach these languages and navigate translations will add new levels of complexity to the piece.  Thankfully the curatorial staff is wonderful and I have a local Zurich-raised person who is willing to consult with me on language as well.

Artists Discussion Panel- Endangered Languages in the Information Age next Thursday

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Tomorrow night is the opening reception for Living With Endangered Languages in the Information Age! We are also having a panel discussion centering around the role of technology in Languages and Art on the 15th.  Please join us!

EndangeredLanguagePanel

Living with Endangered Languages in the Information Age (curated by Hanna Regev)
2nd Sat Reception: Saturday, January 10, 2015 – 6:00pm to 9:00pm
Exhibition Dates: Jan 7, 2015 to Jan 31, 2015
3rd Thursday Artist Panel Discussion: Thursday, January 15, 2015 – 5:00pm to 8:00pm
Including CREATIVE STATION, free all-ages art activities in our Classroom.

More on the show here: https://www.rootdivision.org/exhibition-rd-gallery/living-endangered-languages-information-age

Living With Endangered Languages in the Information Age show Opening next weekend!

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TheLiving With Endangered Languages in the Information Age” show at Root Division is opening on the 7th!  I will have my new mixed media sound installation Cultural Fabric Breathes Still there waiting for you.

Much thanks to curator Hanna Regev, the participants (who chose to remain anonymous), to technical collaborator Dan Garcia.

        Opening Reception: Saturday, January 10, 2015 – 6:00pm to 9:00pm
Exhibition Dates: Jan 7, 2015 to Jan 31, 2015
3rd Thursday Artist Panel Discussion: Thursday, January 15, 2015 – 5:00pm to 8:00pm
I hope to see you there!

Hidden Processes

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display sketchMy sketches are always like this- rough, scribbly, and somehow they work the best for me- loose enough for me to imagine different details.  But until the other  even the loosest sketch of the physical part of my Endangered Languages piece weren’t jelling enough for any sketch to make me happy.

I had been hitting a major wall with the work and it was keeping me up at night for weeks as I tossed image after image and idea after idea in my head.  Two days ago I had a great conversation with a friend that helped me break through.  He has helped me document my work in video and photography but more importantly he is always  a great person to brainstorm with (there are two pieces we’ve thought out together that I think need to be made as collaborative works).

The thing is the process is so often in the mind.  I visualize and discard so much before I start making these days.  Now without having physically built anything, I suddenly have a pretty clear picture of the finished piece.  Now that it’s there I can sketch and mock up and I can start building like a maniac.  I’m going to build a mock-up for size and relationship to the body before I build the main object.  I want to get the height and tilt angle that way.  It should recall natural history museum displays… but with some unexpected twists in action.

Another thing hidden (besides things in my brain) is the thoughts and concepts behind the work.  You will notice I don’t tend to explain my concepts here.  I have them, usually intensely thought out (what some people would consider over-thought out), but I want the concept to be experienced and seen and heard, not just explained before people see the actual work.  I want them to walk up and discover it, not come in with a thesis on it.  There is also a sort of delicacy in certain stages of creation, where if you explain too much (especially to the wrong people at the wrong time) it leeches the life out of it in your mind, or it kills your drive to make it.

At the same time, I love revealing the physical process.  I like to show the beauty and madness of the actual objects-in-progress and the physical experience of making the thing rather than explain everything up front.

You’ll notice the Academy of Sciences sticker in my sketchbook.  I went with my daughter after school to get a look at the display cases, both old and new.  When I go into a museums or place with the intent to take notes I always put the ticket or sticker or write the place at the top.  Sometimes the page is otherwise blank.

 

Written by Mary Corey March

November 22, 2014 at 12:59 am