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Write Me for Art, installation at the Old Mint

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The envelope piece is…

Write Me for Art/Do you read me? (Disintermediation)

Mixed Media Participatory Installation: hand embroidery on cloth.

To create this piece I gave people (mostly strangers) around the country self-addressed stamped envelopes with personal questions inside and a description of the project, usually after a good conversation.

They were invited to write a short response in their own handwriting and send it back to me to become part of the project (also available to those following the artist online). The artist then hand embroidered every reply received by Jan 1, 2014, matching the color and handwriting as faithfully as possible.

The tablet piece on the table is…

Write Me for Art/ Do you read me? (digital mediation)

Mixed Media Participatory Installation: machine embroidery, print on fabric, acrylic, weights.

This piece includes text from the companion piece Write Me for Art/Do you read me? (Disintermediation), but also text taken by the artist from online social media.

*For those of you who are unable to handle these, if you did you would notice that the ones that are machine-embroidered were heavy (about the weight of a phone or tablet, a little heavier).  Those objects corresponded to the text from the first piece (Disintermediation).  The others were printed rather than embroidered, were light and the text was taken from online social media.

The piece in the background is Iteration #9 of Identity Tapestry.

Gala Night

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The Gala fundraiser opening for SFAI’s graduate thesis show. 

last participantThis photo is right when things were closing down.  I liked the stillness and being  able to clearly see all three pieces without the crowd.  It was a really great night.  I love  seeing people interact with the work!

My work for this show included Identity Tapestry (iteration#9)Write Me for Art/Do you read me? (Disintermediation), and Write Me for Art/ Do you read me? (digital mediation)

I poked my head out a little, but I haven’t seen the whole show yet.  I’m looking forward to a quiet viewing tomorrow.

Officially installed!

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install shotDone!  There is  more than this in the full installation (such as 40 more hand-embroidered messages), but this should give you an  idea.  Identity Tapestry is ready to go, the table is built, the tablets together and the envelopes hung.  All ready for visitors and participants.

Please join us at the Mint for the show this week! Details here:  http://www.sfai.edu/principal

Principal (SFAI’s MFA thesis exhibition)

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For those of you who joined me for Open Studios it  was wonderful, and an extra thank you to those of you who contributed to the beginning of a new participatory piece.  I hope you can all join me for my thesis show!

PRINCIPAL: MFA Exhibition

Thursday, May 15 Sunday, May 18, 2014
The Old Mint
88 5th Street at Mission
San Francisco, CA,
PUBLIC VIEWING HOURSThursday, May 15–Sunday, May 18
11 am–6 pm

Visitors are invited to meander through clandestine bank vaults and decadent ballrooms to uncover site-specific and multi-dimensional displays of work.

PUBLIC OPENING RECEPTIONFriday, May 16
7–9 pm
A-FP01-First Level[11]Here is your map to my work!  There will be two stories full of incredible art.  I will be showing Write Me for Art (for those of you who have been following that piece) and a new iteration of Identity Tapestry.  If you are in the Bay Area and have wanted to try that piece out, now is  your  chance!
Write me for Art has become two integrated pieces which I will install together.  It came from the many people who sent me replies in the mail to personal questions, all of which I have embroidered and included.March_Mary_01

Because I can, and Open Studios

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Setting up a test version of “Write Me For Art”. Really, this was the perfect height for setting up on stilts, which is way easier and faster. Sadly I’ll be hanging much higher at the Mint in a few weeks.

Tomorrow I’ll be at Open Studios at SFAI’s graduate center.

There will be the usual nibbles and drinks, but in my case there will be an interactive sound piece “Pulse”, created from the stories of San Franciscans.  What story will your pulse tell?

Also I will be working on a new Participatory piece, so if you choose you can become a part of it!

Graduate Open Studios
Saturday, April 19, 2014 – 12:00pm5:00pm
Third Street Graduate Center
2565 Third Street (between 22nd and 23rd)
San Francisco, CA
We are on the second floor.  Every Orange door is SFAI.  I’m in C7 (C -bay is just right of the lounge, 7 is the back right-hand studio). I find it easiest to take the entrance on 22nd St.
I hope to see you there!
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If you want to see the finished “Write me for Art” you’ll just have to come to the show next month at the Mint.

Written by Mary Corey March

April 19, 2014 at 11:12 am

Spring Shows and Events!

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     April 19th:         Open Studios 12-5PM   2565 Third Street (between 22nd and 23rd), SF, CA
                                   
May 2-4th:             Print Show at Mullowney Printing   933 Treat Street, SF, CA 94110

                                    * Opening on Friday the 2nd.

     May 14th-18th:      PRINCIPAL:  SFAI’s Graduate Thesis Exhibition


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SFAI Graduate Open Studios: http://www.sfai.edu/openstudios

This is your chance to get a peek into the process.

Navigational Tip:   There is an entrance at 22nd street.  Go to the second floor.  Every Orange door on the floor is an SFAI facility. 

I am in Bay C (just to the right of the lounge) in a lovely corner spot in #7 in the back right. 

I will send out more information on the second two events as they approach.  I hope to see you at the Open Studios!  I will have an interactive piece running in the studio as well as a Participatory piece you can contribute to.

New Love

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IMG_4546I finally tried printmaking and I’m in love.  This semester I have a graduate level class with a master printer and printmaking has me.

I have a lot of mediums under my belt, variously considered art or craft or industry depending on the time period and who you ask and I always want to learn new ones.  For my grad program I decided not to add to that list without good reason.  That said, printmaking makes so much sense to so much of what I am working with that when this class came up in my last semester I had to have it.  It is a technology bridge between handmade and digital.  It is multiplicity with variation,  I can print on fabric.  I can digitally etch or cut a plate at Techshop and then bring it in and print on it, or continue to work it by hand.

I decided to restrict myself to a simple idea- the weave and the grid, the digital/binary and the organic (part of my fascination with weaving is that it is both an ancient craft and the basis for binary computing).  Every plate will be some version of this and I intend to start layering those plates.  Inside that there is so much I can do!  The two plates I have so far are a “Broken Grid” laser-etched (the black and white image here) and a hand-carved woodblock of a loose and dissolving plain-weave. The joyful discovery of today was that after printing on canvas (to paint on/sew through later) I can use the plate again on paper and get the texture of the canvas cloth in the paper print.  I’m loving the layers possible with this.   I also came up with a new idea of how to use sewing in the printing process which I haven’t yet seen.

I’ve got two laser-cutter dates this week and PLANS.

The other thing I love about the printmaking experience?  It’s community based.  Much like a ceramics studio, printmaking takes multiple sets of hands and people pooling resources to have it work.  The atmosphere is relaxed, congenial, supportive, and questioning in a positive way.  It isn’t every artist for themselves, it’s a place where people are helping each other make art.  I really missed that.  It happens in other disciplines through collaborative work, but it’s palpable in both ceramics and printmaking, and getting my hands achy with tools and sticky with ink feels like coming home.

Written by Mary Corey March

February 15, 2014 at 11:22 am