mask on, and now to the kiln…
I added a little bit of detail on the top edge and over the eyes in the style of a Venetian mask to help distinguish it from some sort of super-hero mask (which I think the context, clothes and hair will do the rest of the way). For some reason with the mask on she reminds me of Athena, who has no mask (but perhaps it is similar to the helmet she is often shown with).
The wax sculpture is now invested in the plaster and needs to be melted out and the plaster given time to cure before I can get the glass in and load it into the kiln. The red parts in the picture are “sprews”- added bits that get removed in the cold-working process that help prevent bubbles forming in the glass.
I haven’t done anything with glass before, but firing a glass kiln is much like firing a ceramics kiln (which I have done lots of). The most atheistic people will start praying to the kiln gods during this process- only half in jest. When you put something into the kiln you just have to let it go and hope that everything works out as it should. You can control many parts of the process, but ultimately you never know what can happen in there. So… I will put it into the kiln next Wednesday and say my little prayers to the kiln gods… and hope that everything that I put into the sculpture comes out in the glass… and doesn’t pour all over the kiln, crack the mold, or do one of many other things that can happen in the kiln.
Then the long process of cold-working (removing sprews, detailing, adding texture, etc.).
In the meantime I’m figuring out how to do the hands, and I’ll have to see if I can find some mannequin arms that work. If not, I’ll be building those as well. The sewing continues and I plan to do the bustle next.
The structure of bustles is fascinating stuff. I’m thinking of all kinds of things I can do for making a piece of clothing that shows the bustle structure itself… just for fun, when this project is done.